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Jan provoost THe Virgin and Child in a Landscape mk170
Circa 1505
Oil on oak
60.2x49.5cm
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Jan provoost Virgin and Child Date first half of 16th century
Medium Oil on oak panel
Dimensions Height: 33.7 cm (13.3 in). Width: 23.9 cm (9.4 in).
cjr
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Jan provoost Christian Allegory Date between 1510(1510) and 1515(1515)
Medium Oil on wood
Dimensions Height: 50 cm (19.7 in). Width: 40 cm (15.7 in).
cjr
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Jan provoost The Coronation of the Virgin Date 1524(1524)
Medium Oil on canvas transferred from wood
cjr
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Jan provoost Madonna and Child with two angels Date from 1510(1510) until 1520(1520)
Medium Oil on panel
Dimensions 56.5 x 50 cm (22.2 x 19.7 in)
cjr
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Jan provoost Virgin and Child first half of 16th century
Medium Oil on oak panel
cyf
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Jan provoost Abraham Sarah and the Angel 1520s
Medium Oil on wood
cyf
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Jan provoost The Coronation of the Virgin 1524(1524)
Medium Oil on canvas transferred from wood
cyf
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Jan provoost Christian Allegory between 1510(1510) and 1515(1515)
Medium Oil on wood
cyf
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Jan provoost Madonna and Child with two angels Oil on panel
Dimensions 56.5 x 50 cm (22.2 x 19.7 in)
cyf
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Jan provoost Crucifixion 1500(1500)
Medium Oil on oak panel
cyf
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Jan provoost Crucifixion first half of 16th century
Medium Oil on oak panel
cyf
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Jan provoost Madonna and Child with two angels from 1510(1510) until 1520(1520)
Medium Oil on panel
Dimensions 56.5 x 50 cm (22.2 x 19.7 in)
cyf
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Jan provoost Virgin giving milk Oil on Wood
cjr
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Jan provoost The Coronation of the Virgin 1524(1524)
Medium Oil on canvas transferred from wood
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Jan provoost
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Dutch, born circa 1465-1529,South Netherlandish painter. He probably came into contact with Simon Marmion, the renowned painter and book illuminator from Valenciennes, via Jacquemart Pilavaine, a publisher and illuminator in his native Bergen. Provoost married Marmion's widow, Jeanne de Quaroube, before 1491, and it is thus assumed that Marmion was his teacher. In 1493 Provoost moved to Antwerp, a promising town for artists, where he registered as a master in the Guild of St Luke, but in 1494 he travelled to Bruges. He became a citizen there and soon played an important part in the painters' guild. In 1506 Maximiliaen Frans (1490-1547) was his pupil. Provoost received commissions for decorative work from the town council and church authorities in 1509, 1513 and 1520, the year of the Triumphal Entry of Charles V into Bruges, for which he worked on the decorations. He returned to Antwerp the same year to meet Albrecht Derer, who may have drawn his portrait. Derer visited Bruges in April 1521 and was Provoost's guest. Of Jan Provoost's children, Adriaen Provoost (b 1508) became a painter and Thomas Provoost a glassmaker, both active in Bruges. Jan Provoost's time as a pupil in a northern French miniaturist's workshop was of decisive influence on his later oeuvre. His work radiates assurance, with its precise drawing, restrained expression and airy landscapes, and he was successful in Bruges, where there was little competition after Hans Memling's death in 1494.
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